![]() ![]() ![]() different placement of the headphones on the ear. This roll-off at single-speed (44.1/48 kHz) could also be compensated by PEQ settings, which have already been posted here in the forum, see e.g.: … 26#p130026ġ. NOS or other) was shifted into the inaudible range above ~20 kHz. What kind of D/A filter are you using? It would be conceivable that the treble roll-off of a D/A filter (e.g. Sorry, but upsampling doesn't make the sound better, it stays at the quality of the last A/D conversion, nothing is being enriched or improved. Sorry, for initially posting in German language. I am sharing my experience and would be very pleased to know of any other owner of an RME ADI-2 Pro (FS Black Edition) with same of similar upsampling experience. I listened to these music sources: Roy Orbison "Black & White", CD1 of Ane Brun "It all starts with one", Bensound "The Jazz Piano" (nur Piano and Standing Bass), various albums of the Monks Choir of the Monastry Chevetogne (Belgium) No comparison to the very good resolution at 88.2 I just listened very briefly, very unsatisfactory, a bad experience. I did another test be increasing the sampling rate from 44.1 to (4 x 44.1) 176.4 kHz. ![]() This discovery has been a real ear opener for me. It gave me the impression that I had been present during the recording in the studio.Īlso, the echo in the recording (live recordings in a church of a monastry) was much more present. I noticed inmediately that the sound on my Sennheiser HD650 Headphone had much improved, voices more in the front, more present, voices of backing voices much more differentiated. ![]() I changed the sampling rate in DSP of JRiver Media Center v29 from 44.1 to (2x 44.1) 88.2 kHz. ![]()
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